Renowned actor Richard Dreyfuss recently sparked controversy during an interview, where he expressed his strong opposition to Hollywood’s new inclusion standards. Dreyfuss, known for his roles in iconic films like “Jaws” and “Close Encounters of the Third Kind,” called these standards “patronizing” and argued that they treat people like children. His remarks were made on PBS’s “Firing Line with Margaret Hoover” while discussing the decline of civics education in the United States.
The conversation took a turn when Hoover mentioned that, starting next year, films would need to meet new inclusion standards to be eligible for the Academy Award for Best Picture. These standards require a certain percentage of actors or crew members from underrepresented racial and ethnic groups. In response to this, Dreyfuss didn’t mince his words. He expressed his disdain, stating that the standards made him “vomit.”
Dreyfuss firmly believes that film is both an art form and a business. While acknowledging its commercial aspect, he stressed the importance of preserving the artistic integrity of the medium. He argued against the idea of being dictated by the latest moral standards, emphasizing that no one should be telling artists what they must create or who they should include in their projects.
Expressing his skepticism, Dreyfuss questioned the potential risks and implications of these inclusion standards. He challenged the notion of legislating feelings and cautioned against catering to specific groups, whether they are minorities or majorities. To illustrate his point, he referenced Laurence Olivier’s portrayal of Othello in blackface back in 1965, emphasizing the actor’s brilliant performance. Dreyfuss wondered aloud if he would be denied the opportunity to play a black character and if others would face similar restrictions based on their ethnic or religious backgrounds.
For Dreyfuss, the new inclusion standards epitomize a patronizing approach that undermines the essence of art. He sees it as thoughtless and disrespectful, treating individuals like children who require special treatment. In his view, art should be free from such constraints, allowing artists to explore and challenge societal boundaries.
While Dreyfuss’s comments have ignited a debate, it is important to note that the issue of representation in Hollywood is complex. Advocates for inclusion argue that it is necessary to address historical imbalances and promote diversity on screen. They believe that these standards can help create opportunities for underrepresented groups and bring forth fresh perspectives.
